This excellent poem by Marie Howe has been floating around on the web for a couple of years. (See Sources below)
Does it answer the question: What's the difference beween free verse and a pungent paragraph or two?
I want to write a love poem for the girls I kissed in seventh grade,
a song for what we did on the floor in the basement
of somebody’s parents’ house, a hymn for what we didn’t say but thought:
That feels good or I like that, when we learned how to open each others’ mouths
how to move our tongues to make somebody moan. We called it practicing, and
one was the boy, and we paired off – maybe six or eight girls – and turned out
the lights and kissed and kissed until we were stoned on kisses, and lifted our
nightgowns or let the straps drop, and Now you be the boy.
Concrete floor, sleeping bag or couch, playroom, game room, train room, laundry.
Linda’s basement was like a boat with booths and portholes
instead of windows. Gloria’s father had a bar downstairs with stools that spun,
plush carpeting. We kissed each other’s throats.
We sucked each others’ breasts, and we left marks, and never spoke of it upstairs
outdoors, in daylight, not once. We did it, and it was
practicing, and slept, sprawled so our legs still locked or crossed, a hand still lost
in someone’s hair … and we grew up and hardly mentioned who
the first kiss really was — a girl like us, still sticky with the moisturizer we’d
shared in the bathroom. I want to write a song
for that thick silence in the dark, and the first pure thrill of unreluctant desire
just before we made ourselves stop.
SOURCES, MORE FROM THIS POET:
LGBT Poets: Kissing and Telling
Marie Howe On What the Living Do After Loss